Day: April 22, 2014
A beautiful orphaned girl grows up in a brothel from kamaru to top courtesan amongst female intrigue, jealousy and costumes that demand attention. What’s not to love?
If you haven’t seen the 2009 film bringing the Japanese manga artist Anno’s beloved world of the Yoshiwara to life what are you waiting for?
Kick off your geta, untie your sash this is one spectacular feast for the eye.
Anna Tsuchiya (Kamikaze Girls) plays Kiyoha, a girl traded to a brothel who undergoes a transformation to reach the top courtesan. But she doesn’t want to be oiran. She’s rebellious. She has a dream to see if cherry blossoms are the same as ones outside of the brothel gates. It might sound simple, but courtesans were rarely allowed to cross the great Omon gate for more than a handful of festival days. But while Kiyoha dreams of a life beyond the brothel, grasping elders see her spirited nature as a sign. This girl will rise as a great oiran. The older, house oiran already fears her as her greatest rival in the making. As she grows the tensions escalate to delicious fun.
Rivals aside, and who doesn’t love that, the film explores the courtesan’s peculiar state of being. She’s schooled in the ways to please men but for the love of God, thou shalt not fall in love. To take a lover was the end of a courtesan’s career, a hidden trap that could expose her to pregnancy, blackmail and disease. If a man takes a courtesan to bed he must pay for the privilege. To fall in love was a weakness. To give away favors for free was a disgrace. Dismissal was the price to be paid for disobedience and the contract, thousands of ryo, was due and payable to the brothel upon expulsion. Woe to the courtesan who didn’t steal her heart and was wise in the ways of love; who didn’t wait till the time was right for love after her contract was bought out. This is Kiyoha’s down fall and why we love her so much.
Will Kihoya get to see the cherry blossoms on the outside of the brothel gates and what will she find? You’ll have to watch but trust me this film just has it all. Stunning costumes; allusion and symbolism; terrific cast; amazing cinematography and a fabulous soundtrack. They also nail the figure-eight step.
If you don’t have time to watch the whole thing check out the song below Gamble by Sheena Ringo for a montage of the film.
A man is a samurai first, the blade is his lover.
So what happens when a samurai is shut out of work? There’s no unemployment line, right? Starvation? Decline? That’s exactly what happened during the twilight era of the samurai. After the Tokugawa installed themselves as shogun and reigned for nearly 300 years, Japan began to settle down. There was inter-clan warfare but the large-scale battles receded. Armies dwindled. Daimyo fortunes began to dry up. Samurai were let go from their castle towns. They became masterless, or ronin. They had no one to serve, forced to wander the countryside in search of opportunities.
But sometimes they left over a disagreement with their daimyo. Perhaps they suffered dishonor, they went against their lord or held to a conviction they knew was right. Sometimes the daimyo was killed and that left a samurai masterless. Sometimes a samurai even committed seppuku if his grief was great enough or he made a promise to do so.
The 47 Ronin is a dramatic tale of extreme fealty and revenge. This most famous samurai story certainly entertains. The term ronin carries an air of romance and glamor but during the Edo period, ronin were often a dangerous nuisance to be avoided. They acquired reputations as bullies who strutted along busy streets looking for provocation and willing to split heads like melons over the price of tea. You could tell by the half-mad stare of the eyes and the pompous, almost dandified way they carried themselves. Sometimes ronin are portrayed as cheats who stuck noses in business dealings for the privilege of taking a cut for not murdering you. Ronin was feared, but he was laughed at behind his back.
The real truth is somewhere in the middle. Samurai pay was small. It barely covered living expenses. It was once considered a disgrace for a samurai to work the merchant trade. But some ronin made respectable livings working as merchants, growing vegetables in secret or scouting new talent for the brothels. Some could be seen swaggering up the streets with umbrellas stuffed under their arms, and their swords struck at their side. They were not comfortable but they survived, they adapted and struggled to retain their dignity. And that’s my definition of a samurai any day.