Day: April 25, 2014
As a child, and later teen I dreamt of the following; girl writes book; girl mails off book; girl gets published and maybe gets a miniseries. I read a lot of Judith Krantz. Mistral’s Daughter is one of my favorite 80’s tomes.
Young and inexperienced, seems so easy doesn’t it? But in today’s uncertain publishing climate, one size fits all is gone.
What do you do to get your head on straight and make the best decision for yourself?
You read a lot. Educate yourself about this rapidly changing business. Know this; even if you push a boulder the size of a house uphill; even if you follow your heart; you will face lots of risk. It’s just not cut and dry anymore.
But there are opportunities. Pause, learn and consider what path you’re taking. Going shotgun on a 100 queries isn’t a plan. Trust that you’re talent will be the life raft you will need to navigate this thing called publishing. Indie authors are exploding. That’s no secret. A few years ago when I was busy writing with my head in the sand I ignored debates going on. One reason is that it bothered me. I wanted the traditional path and I didn’t want to hear all the poo-pooing about ebooks and publishing is a button and ya-ya-ya. Yawn. It kinda scared me. It threatened my dream.
When I bought my Nook three years ago I didn’t think about it. I still had paper books. All this talk must be just that. Then two years ago I walked into Barnes and Noble. There was always new-fangled book lights or pretty diaries for sale. What I saw I couldn’t ignore. 3/4 of the store was given over to candles. Expensive soaps. Godiva chocolates. The stacks of books seemed an after thought. Soap. Think about that. I knew I had to learn the business and quick.
Today, we have choice but it’s overwhelming. Getting an agent has never been harder. So what do you do? Go the small press route to crack in, get your cred and build your career? I don’t have any answers in 2014. Except, think carefully. Don’t be desperate. Read and investigate. If the idea of getting smaller royalties and giving away your rights is okay for a date at the prom, small presses may be for you. Read the contract. If you don’t know what you’re reading get help. If you don’t want to give your rights away, you’re being required to promote your book, heck you’re already doing it, and you want to keep 70% of the profits maybe you want to look into self-publishing.
When I hear so and so say, oh yeah I threw my book up on Amazon and didn’t make a dime, that tells me that they probably weren’t serious. They didn’t invest in a good editor, good cover artist (be willing to change that cover if need be) and weren’t prepared to promote the book and weren’t writing more books. If you want to self-publish you must do all three things. If you want to go the small press route be prepared also to do more. You won’t get an advance, but with small presses you’ll get passion and help.
If you go the traditional route, if you have the dream of getting an agent and trying to stalk the Big5 peak hunker down, it’s a long winter. Build you’re ice fort around your ego and your skin. Stake your heart to the ground to be safe. Stockpile food for the haul because you’re looking for someone who will love you’re book like a lover. It may be an extended wait. Resist the urge to tear apart you’re work every time you get a No. Believe in your story, keep writing and realize that it’s the numbers game. Keep coming back, it’s a matter of time.
So be thoughtful before you leap at any contract. Make a plan. Have a vision. Embrace risk. Get excited it’s uncertain times but writers are reaching readers like never before and that’s why we do this right?
“… living only for the moment, savouring the moon, the snow, the cherry blossoms, and the maple leaves, singing songs, drinking sake, and diverting oneself just in floating, unconcerned by the prospect of imminent poverty, buoyant and carefree, like a gourd carried along with the river current: this is what we call ukiyo.”
Edo 17th century. Shogun ruled with an iron fist. The society was heavily stratified with a land-owning samurai class at the top and the merchants at the bottom. But while the samurai began to decline and grow poorer the merchants grew wealthy. What merchants lacked in respectability they more than made up for in money. They spent that money freely on kabuki; courtesans and other pursuits found in the pleasure quarters. Ukiyo-e embodied a live for today attitude, live while the money is flowing, while the samurai prepared for death. Stark contrast between two cultures.
The merchant class popularized woodblock images, “heroes of Ukiye-o” because they had kobans and ryo to burn on mass consumption, the acquisition and the patronage of artists whose images graced their homes. It’s not surprising that the more conservative government wanted to stamp out the images. They feared that woodblocks would infect the mass culture of Japan with a licentious greed. Waves of artist persecutions came and went, but in the end people loved woodblocks. Merchants wives and daughters copied courtesan style of the day. They imitated flashy kimono and piled their hair high with pincushions of expensive kanzashi hair sticks, which led the government to enact more, futile sumptuary laws.
Everyone wanted to dress like a courtesan and that was the problem.
In the 19th century some of the greatest artists became inspired by the woodblocks of the Ukiyo-e. Van Gogh was rumored to have seen an Eisen woodblock of a famous courtesan when he was painting abroad. The style of the floating world swept opera, musicals, furniture and china, styles that became known as Japonaise. What was largely a hedonistic art form born in a city ruled by a dictator went to Paris.
Some examples of Japonaise art.
Van Gogh’s La Courtisane.
Another charming example of the style, La Japonaise by Wordsworth.